Ice (The X-Files)


"Ice" is the eighth episode of the first season of the American science fiction television series The X-Files, which premiered on the Fox network on November 5, 1993. It was directed by David Nutter and written by Glen Morgan and James Wong. The debut broadcast of "Ice" was watched by 10 million viewers in 6.2 million households and received positive reviews from critics, who praised its tense atmosphere.

The plot of the episode sees FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) investigate the deaths of an Alaskan research team. Isolated and alone, the agents and their accompanying team discover the existence of extraterrestrial parasitic organisms which drive their hosts into impulsive fits of rage.

The episode was inspired by an article in Science News about an excavation in Greenland, and series creator Chris Carter also cited John W. Campbell's 1938 novella Who Goes There? as an influence. Although the producers hoped that "Ice" would save money by being shot in a single location, it ended up exceeding its production budget.


A mass murder–suicide occurs among a team of geophysicists at an outpost in Icy Cape, Alaska. FBI special agents Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) head for the outpost, accompanied by physician Dr. Hodge (Xander Berkeley); toxicologist Dr. DaSilva (Felicity Huffman); geologist Dr. Murphy (Steve Hytner) and Bear (Jeff Kober), their pilot. With the scientists' bodies the group finds a dog, who attacks Mulder and Bear. Scully notices black nodules on its skin, and suspects that it may be infected with bubonic plague; she also notices movement beneath its skin. Although Bear (who was bitten by the dog) becomes ill and develops similar nodules on his body, autopsies reveal no such nodules on the bodies of the scientists.

Murphy finds an ice core sample believed to originate from a meteor crater, and theorizes that the sample might be 250,000 years old. Although Bear insists on leaving, the others are concerned about infecting the outside world. When he is asked to provide a stool sample, he attacks Mulder and tries to flee. Something moves under Bear's skin, and he dies when Hodge removes a small worm from the back of his neck. Now without a pilot, the group is informed that evacuation is impossible because of the weather.

The worm removed from Bear is kept in a jar, and another is recovered from one of the scientists' bodies. Mulder (believing that the worms are extraterrestrial) wants them kept alive, but Scully feels that they should be destroyed to prevent infection. The group check each other for black nodules and find none, although Mulder reminds Scully that the nodules disappeared from the dog over time. When Mulder finds Murphy in the freezer with his throat cut, the others (including Scully) believe that he has become infected and killed Murphy. Mulder is then locked in a storeroom.

Scully discovers that two worms put together will kill each other. When the investigators place one of the worms into the infected dog, it recovers. Against Scully's objections, Hodge and DaSilva try to place the other worm into Mulder and Hodge realizes that DaSilva is the infected person. He and Mulder restrain the hysterical DaSilva and place the last worm inside her. When they are rescued, DaSilva is quarantined and the others are released. Although Mulder wants to return to the site, he is told that it has been destroyed by the government.[1][2]


Conception and writing

A black-and-white image of a man looking off to one side
A headshot of a white-haired man with a moustache
Film adaptations of Who Goes There? by Howard Hawks (left) and John Carpenter (right) influenced the episode.

Glen Morgan began writing the episode after he read a Science News article about men in Greenland who found a 250,000-year-old item encased in ice.[3][4] The setting—an icy, remote research base overcome by an extraterrestrial creature—is similar to that of John W. Campbell's 1938 novella Who Goes There? and its two feature-film incarnations: The Thing from Another World (1951), directed by Christian Nyby and produced by Howard Hawks, and The Thing (1982), directed by John Carpenter.[3][5] Chris Carter has cited them as the main inspirations for the episode.[4] As in the novella and films, the characters cannot trust each other because they are uncertain if they are who they seem to be.[3] Carter particularly enjoyed this aspect, because it pitted Mulder and Scully against each other and provided "a new look on their characters early on in the series".[6]

The episode's premise became a recurring theme in the series, with episodes such as "Darkness Falls" and "Firewalker" repeating the combination of remote locations and unknown lifeforms.[7] A similar plot was featured in "The Enemy", a 1995 episode of Morgan and his writing partner James Wong's series Space: Above and Beyond,[8] and according to UGO Networks the Fringe episode "What Lies Below" has "basically" the same plot as "Ice".[9] The episode introduced invertebrate parasites as antagonists in the series; this plot device would recur in "Firewalker", "The Host", "F. Emasculata" and "Roadrunners".[10]


The similarity to Carpenter's version of The Thing was due in part to new production designer Graeme Murray,[11] who worked on Carpenter's film and created the complex in which the episode took place.[12] Although "Ice" was intended as a bottle episode which would save money by being shot in a single location,[4] it went over budget. According to Carter, The X-Files typically worked from a small budget and "every dollar we spend ends up on the screen".[12] As a bottle episode, "Ice" used a small cast and its interiors were filmed on a set constructed at an old Molson brewery site. The episode's few exterior shots were filmed at Delta Air Park in Vancouver, whose hangars and flat terrain simulated an Arctic location.[11] Carter said that he would have preferred to set the episode at the North Pole, but he believed that this was unfeasible at the time.[13]

At first, the production company planned to use snakes in latex suits for the worms; when this proved impossible, mealworm larvae were used.[14] The effect of the worms crawling in the host bodies was achieved with wires under fake skins, including a skin with hair for the dog.[6][14] Digital effects were used for scenes involving the worms swimming in jars and entering the dog's ear.[6] Although extra footage of the worm scenes was shot so they would last as long as intended if Fox's standards-and-practices officials asked for cuts, no edits were requested.[15] "Ice" was the first significant role in the series for makeup effects artist Toby Lindala, who become its chief makeup artist.[15] The dog used in the episode was a parent of Duchovny's dog, Blue.[16] Ken Kirzinger, who played one of the scientists killed in the episode's cold open, was the series' stunt coordinator.[17]


Although "Ice" is not directly connected to the series' overarching mythology, it has been described as "a portent to the alien conspiracy arc which would become more pronounced in the second season" with its themes of alien invasion and governmental conspiracy.[18] The episode is noted for exploring the relationship between its lead characters; Mulder and Scully's trust contrasts with the behavior of Hodge and DaSilva, who are united by a distrust of those around them. The pairs are "mirror images" in their approaches to partnership.[19]

"Ice" features two elements common to other works by Morgan and Wong: dual identities and the questioning of one's personality. In her essay "Last Night We Had an Omen", Leslie Jones noted this thematic leitmotif in several of their other X-Files scripts: "the meek animal-control inspector who is a mutant shape-shifter with a taste for human liver ["Squeeze"], the hapless residents of rural Pennsylvania driven mad by a combination of insecticides and electronic equipment ["Blood"], [and] the uptight PTA run by practicing Satanists ["Die Hand Die Verletzt"]".[20]

Anne Simon, a biology professor at the University of Maryland, discussed the episode in her book Monsters, Mutants and Missing Links: The Real Science Behind the X-Files. Simon noted that like the worms in "Ice", parasitic worms can attach to the human hypothalamus because it is not blocked by the blood–brain barrier.[21] She compared "Ice" to the later episodes "Tunguska" and "Gethsemane", with their common theme of extraterrestrial life reaching earth through panspermia.[22]


A blonde woman seated in front of a microphone
According to a reviewer, Dana Scully (actor Gillian Anderson pictured) was portrayed more intelligently in "Ice" than in her debut in "Pilot".


"Ice" originally aired on the Fox network on November 5, 1993, and was first broadcast in the United Kingdom on BBC Two on November 10, 1994.[23] The episode's initial American broadcast received a Nielsen rating of 6.6 with an 11 share; about 6.6 percent of all households with television and 11 percent of households watching TV viewed the episode,[24] a total of 6.2 million households and 10 million viewers.[24][25] "Ice" and "Conduit" were released on VHS in 1996,[26] and the episode was released on DVD as part of the complete first season.[23]


"Ice" was praised by critics. In The Complete X-Files, authors Matt Hurwitz and Chris Knowles called the episode a milestone for the fledgling series.[27] An Entertainment Weekly first-season retrospective graded "Ice" as A−, calling it "particularly taut and briskly paced".[5] On The A.V. Club, Keith Phipps praised the episode and gave it an A. According to Phipps, the cast "plays the paranoia beautifully" and the episode was "as fine an hour as this first season would produce".[28] "Ice" was included on an A.V. Club list of greatest bottle episodes, where it was described as "us[ing] its close quarters as an advantage".[29] A third A.V. Club article, listing ten "must-see" episodes of the series, called "Ice" "the first sign that this show had a shot at really being something special" and said that it "makes great use of claustrophobia and the uneasy but growing alliance between the heroes".[30]

Digital Spy's Ben Rawson-Jones described "Ice"'s stand-off between Mulder and Scully as "an extremely tense moment of paranoia."[31] A New York Daily News review called the episode "potent and creepy", and said that its plot "was worthy of honorary passage into The Twilight Zone".[32] Matt Haigh called it "an extremely absorbing and thrilling episode" on the Den of Geek website, noting its debt to The Thing,[33] and Juliette Harrisson called "Ice" the "finest" stand-alone episode of the first season.[34] On the TV Squad blog, Anna Johns called it "a spectacular episode" with an "excellent" opening.[35] UGO Networks called the episode's worms among the series' best "Monsters-of-the-Week" and the cause of "much pointed-guns aggression".[36] In, Meghan Deans compared the scene where Mulder and Scully inspect each other for infection to a similar scene in "Pilot"; in "Ice", both characters were equally vulnerable and (unlike the pilot scene) Scully was not portrayed as "an idiot".[37] Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, gave the episode five out of five stars. They called it "the most influential episode ever made", noting that the series reprised its formula several times during its run. Shearman felt that although their script was derivative, Morgan and Wong created "a pivotal story" by combining crucial themes from The Thing with a "well rounded" cast of characters.[38]

"Ice" was also considered one of the best episodes of the first season by the production crew. According to Carter, Morgan and Wong "just outdid themselves on this show, as did director David Nutter, who really works so hard for us. I think they wrote a great script and he did a great job directing it, and we had a great supporting cast".[39] Nutter said: "The real great thing about 'Ice' is that we were able to convey a strong sense of paranoia. It was also a great ensemble piece. We're dealing with the most basic emotions of each character, ranging from their anger to their ignorance and fear. It established the emotional ties these two characters have with each other, which is very important. Scaring the hell out of the audience was definitely the key to the episode".[39] Anderson said that "it was very intense. There was a lot of fear and paranoia going on. We had some great actors to work with".[39]


  1. ^ Lowry 1995, pp. 117–118.
  2. ^ Lovece 1996, pp. 63–65.
  3. ^ a b c Lowry 1995, pp. 118–119.
  4. ^ a b c Goldman 1995, p. 94.
  5. ^ a b "X Cyclopedia: The Ultimate Episode Guide, Season 1". Entertainment Weekly. November 29, 1996. Retrieved July 7, 2011.
  6. ^ a b c Chris Carter (narrator). Chris Carter Speaks about Season One Episodes: Ice (DVD). The X-Files: The Complete First Season: Fox.CS1 maint: location (link)
  7. ^ Lowry 1995, pp. 182–183.
  8. ^ VanDerWerff, Todd (July 18, 2010). "'The Walk'/'Oubliette'/'Nisei' | The X-Files/Millennium". The A.V. Club. Retrieved November 2, 2012.
  9. ^ "Fringe vs. The X-Files – A Comparison". UGO Networks. April 5, 2010. Archived from the original on May 10, 2010. Retrieved November 8, 2012.
  10. ^ Westfahl 2005, p. 586.
  11. ^ a b Gradnitzer & Pittson 1999, p. 37.
  12. ^ a b Edwards 1996, p. 50.
  13. ^ Edwards 1996, p. 115.
  14. ^ a b Debbie Coe (animal trainer); Toby Lindala (make-up effects). Behind the Truth: Ice (DVD). The X-Files: The Complete First Season: Fox.CS1 maint: location (link)
  15. ^ a b Lowry 1995, p. 119.
  16. ^ Lowry 1995, p. 118.
  17. ^ Lovece 1996, p. 65.
  18. ^ Geraghty 2009, p. 99.
  19. ^ Jones 1996, p. 86.
  20. ^ Jones 1996, p. 89.
  21. ^ Simon 2011, pp. 23–24.
  22. ^ Simon 2011, pp. 58–59.
  23. ^ a b The X-Files: The Complete First Season (booklet). Robert Mandel, Daniel Sackheim, et al. Fox. 2004 [First broadcast 1993–1994].CS1 maint: others (link)
  24. ^ a b Lowry 1995, p. 248.
  25. ^ "Nielsen Ratings" (PDF). USA Today. Gannett Company, Inc. November 10, 1993. p. D3. Retrieved 28 November 2012.
  26. ^ Nielsen Business Media, Inc (January 11, 1997). "Video Sales". Billboard. 109 (2): 39. ISSN 0006-2510. Retrieved August 21, 2012.
  27. ^ Hurwitz & Knowles 2008, p. 40.
  28. ^ Phipps, Keith (July 5, 2008). "The X-Files: "Ghost In The Machine" / "Ice" / "Space"". The A.V. Club. Retrieved July 18, 2011.
  29. ^ Heller, Jason; Koski, Genevieve; Murray, Noel; O'Neal, Sean; Pierce, Leonard; Tobias, Scott; VanDerWerff, Todd; Zulkey, Claire (June 21, 2010). "TV in a bottle: 19 great TV episodes largely confined to one location". The A.V. Club. Retrieved July 7, 2012.
  30. ^ VanDerWerff, Todd (July 20, 2012). "10 must-see episodes of The X-Files". The A.V. Club. Retrieved July 20, 2012.
  31. ^ Rawson-Jones, Ben (July 20, 2008). "Classic Moment: Mulder vs Scully ('X-Files')". Digital Spy. Hearst Magazines UK. Retrieved July 19, 2011.
  32. ^ Lowry 1995, p. 253.
  33. ^ Haigh, Matt (October 28, 2008). "Revisiting The X-Files: Season 1 Episode 8". Den of Geek. Retrieved April 4, 2012.
  34. ^ Harrisson, Juliette (September 6, 2011). "A look back over The X-Files' finest stand-alone episodes". Den of Geek. Dennis Publishing. Archived from the original on July 22, 2012. Retrieved September 28, 2015. Italic or bold markup not allowed in: |work= (help)
  35. ^ Johns, Anna (July 23, 2006). "The X-Files: Ice". TV Squad. Huffpost TV. Retrieved August 8, 2011.
  36. ^ "Top 11 X-Files Monsters (of the Week) Intro". UGO Networks. July 21, 2008. Archived from the original on July 23, 2008. Retrieved September 6, 2011.
  37. ^ Deans, Meghan (November 10, 2011). "Reopening The X-Files: 'Ice'". Tor Books. Retrieved July 3, 2012.
  38. ^ Shearman & Pearson 2009, pp. 16–17.
  39. ^ a b c Edwards 1996, pp. 48–49.


  • Edwards, Ted (1996). X-Files Confidential. Little, Brown and Company. ISBN 0-316-21808-1.
  • Geraghty, Lincoln (2009). American Science Fiction Film and Television (illustrated ed.). Berg Publishers. ISBN 1-84520-795-5.
  • Goldman, Jane (1995). The X-Files Book of the Unexplained Volume I. Harper Prism. ISBN 0-06-168617-4.
  • Gradnitzer, Louisa; Pittson, Todd (1999). X Marks the Spot: On Location with The X-Files. Arsenal Pulp Press. ISBN 1-55152-066-4.
  • Hurwitz, Matt; Knowles, Chris (2008). The Complete X-Files. Insight Editions. ISBN 1-933784-80-6.
  • Jones, Leslie (1996). "Last Night We Had an Omen". In Lavery, David; Hague, Angela; Cartwright, Marla (eds.). Deny All Knowledge: Reading The X-Files. Syracuse University Press. ISBN 0-8156-2717-3.
  • Lovece, Frank (1996). The X-Files Declassified. Citadel Press. ISBN 0-8065-1745-X.
  • Lowry, Brian (1995). The Truth is Out There: The Official Guide to the X-Files. Harper Prism. ISBN 0-06-105330-9.
  • Shearman, Robert; Pearson, Lars (2009). Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen. Mad Norwegian Press. ISBN 0-9759446-9-X.
  • Simon, Anne (2011). Monsters, Mutants and Missing Links: The Real Science Behind the X-Files (illustrated ed.). Random House. ISBN 1-4481-1694-5.
  • Westfahl, Gary (2005). The Greenwood Encyclopedia of Science Fiction and Fantasy: Themes, Works, and Wonders. 2. Greenwood Publishing Group. ISBN 0-313-32952-4.

External links