Sutton Hoo Helmet is a 2002 sculpture by the English artist and writer Rick Kirby. A representation of the Anglo-Saxon helmet by the same name found in the Sutton Hoo ship-burial, it was commissioned by the National Trust to hang outside one of the buildings at the Sutton Hoo visitor centre. Together with the centre, the sculpture was unveiled by Nobel laureate Seamus Heaney on 13 March 2002.
The sculpture is 1.8 m (5.9 ft) high, 1.2 m (3.9 ft) wide, 1.6 m (5.2 ft) deep, and weighs 900 kg (2,000 lb). It is made of mild steel plates that are coloured red. Designed to have a "fierce presence", it is inspired by the fragmentary appearance of the reconstructed helmet rather than the glistening replica made by the Royal Armouries. Steel is Kirby's favoured medium, allowing the sense of scale and dramatic impact found in Sutton Hoo Helmet. The sculpture is illustrative of Kirby's largely figural body of work, and its mask-like quality has been repeated in subsequent pieces.
In 1939, archaeologists excavating barrows overlooking the River Deben near Woodbridge, Suffolk, discovered an Anglo-Saxon grave of unparalleled wealth. The Sutton Hoo ship-burial was quickly labelled "Britain's Tutankhamun"; the finds reshaped views of what was then termed the Dark Ages, which—with new understandings of its wealth and sophistication—became known as the Middle Ages. The most iconic artefact, the Sutton Hoo helmet, was pieced together from more than 500 fragments. In the decades since, the Sutton Hoo helmet has come to symbolise the Middle Ages, archaeology, and England.
The Sutton Hoo finds were donated to the British Museum within weeks. The estate was privately owned until 1998, when its 245 acres were bequeathed to the National Trust. In 2000 the Trust commissioned van Heyningen and Haward Architects to design a visitor centre. Their work included the overall planning of the estate, the design of an exhibition hall and visitor facilities, car park, and the restoration of the Edwardian house. The £5 million visitor centre (equivalent to £8.2 million in 2019) was opened on 13 March 2002 by Nobel laureate Seamus Heaney, whose translation of Beowulf, an Anglo-Saxon epic poem that describes extravagant burial customs similar to those observed at Sutton Hoo, had been published in 1999.
The National Trust commissioned the English sculptor Rick Kirby to create a work for the visitor centre. He was tasked with making something with a "fierce presence". Kirby's works then included several public commissions, among them a sculpture outside St Thomas' Hospital, unveiled by Princess Margaret in 2000, and another in the Calne town centre, announced by Queen Elizabeth in 2001. The National Trust Sutton Hoo Helmet was winched into place above the entrance of the visitor center on 26 February 2002, ahead of its official unveiling in March. As of 2019 it remains above the doors, dominating the entrance.
In the course of making the sculpture, Kirby completed a mock-up, or maquette. The maquette, 1.97 m (6.5 ft) high with pedestal, was offered for sale by a private art gallery in 2005, with an asking price of £9,600.
Kirby's sculpture is based on the famous helmet found in the Sutton Hoo ship-burial, but is rendered on a much larger scale. It is made from 900 kg (2,000 lb) of mild steel steel plates that have been coloured red, and is 1.8 m (5.9 ft) high, 1.2 m (3.9 ft) wide, and by 1.6 m (5.2 ft) deep. The external structure rests on an internal steel frame. By contrast, the actual helmet is 31.8 cm (12.5 in) high, 21.5 cm (8.5 in) wide, 25.5 cm (10 in) deep, and originally weighed an estimated 2.5 kg (5.5 lb).
Like the fragmented Anglo-Saxon helmet, Kirby's piece is made of many pieces of metal, evoking an object reconstructed by an archaeologist. The sculpture intentionally emulates the fragmentary appearance of the helmet's second reconstruction, reassembled from 1970 to 1971 by Nigel Williams, rather than the glistening replica made by the Royal Armouries. Sutton Hoo Helmet was described by the National Trust as "fantastic—such a striking image and it has a real wow factor", and by the East Anglian Daily Times as an "iconic" sculpture greeting visitors to the site.
Both the material and the subject are typical of Kirby's work. Steel is Kirby's material of choice, for what he describes as "the ability to go huge" and its "whoom-factor!" Much of Kirby's other work focuses on the human face and form, and his later pieces Masks and Vertical Face repeat the same staring, unemotive quality.